lost and found / everything
"Lost and found" traditionally refers to a space for storing misplaced items until they can be reclaimed by their owners. The exhibition draws inspiration from the concept of lost property, exploring themes of retrieval and possession.
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Apr 13 – May 12, 2024
Ritsuki Fujisaki Gallery
Ritsuki Fujisaki Gallery
specter
Hunsand Space (Hangzhou) is delighted to present the first solo exhibition in China by Japanese artist Taka Kono. The exhibition's title originates from a wall-spray piece the artist created in 2021 at the darkZone space in New Jersey, USA: "俊雄 was here." "俊雄"（Toshio）refers to a character from the famous Japanese horror film "Ju-on," and Taka explores his fascination with ghosts and spirits, essentially providing a romantic response to the feeling of powerlessness in reality.
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Hunsand Space
Hangzhou, China
Spirit Heart Soul Flesh Body
Duo exhibition with Maggie Dunlap
The interplay among Spirit, Heart, Soul, Flesh, and Body—bridging the physical and metaphysical, the personal and social, the analog and digital—captivates us, drawing us into the profound mysteries of life and death.
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Ritsuki Fujisaki Gallery
ill omen 3
“ill omen" is an annual project exhibition created in collaboration with Claudia Dyboski.
For archive images from ill omen 1 and 2, please get in touch.
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Malpaís
Barcelona, Spain
Alagya
Alagya, started by artists Szilvia Bolla and Áron Lődi, is a research-based material exploration that aims to construct new possible forms of literacy to decode planetary life and identity in the post-capitalocene through collaborative work and interplay between sculpture and text.
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Palazzo San Giuseppe
Polignano a Mare, Italy
down4u
What happens to something when it becomes wet? Maybe the truth about wetness is love. I suspect that, at the core of the emotional structure which constitutes wetness, there is a process of self-division that ends in unification. At the microscopic level, I think it resembles cellular folding. It is both steady and resigned at once.
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Ritsuki Fujisaki Gallery
ATK/0 DEF/10000
When the elders ascended, they left nothing for us to remember them by except their tools. Some say that the strange staves were originally apotropaic, that the elders kept them close during their hunting rituals—believing them to ward off malicious spirits. Others say that they were the weapons themselves. Many theories have come and gone over time, each as hollow as the last. The only proof we have of the talismans are the bone cards which were harvested from their barbs and ridges. Today, even the thought of the runes in their original state causes me to shiver. Nobody knows how or why those runes work. All we know is they do, and without them, we’d never get to sleep. And if we’d never get to sleep, how else would we live with the constant presence of the drone?
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mcg21xoxo
only only makes sense if there’s nothing else
It makes sense that when the new language arrives, we’ll soak the old language in it. We’ll wring the damp rags and write down what’s wrung. It won’t be the new language, but for the time being, it will help us feel closer to color. Before the color is turned to dye, it will leak in a pool. Before it leaks in a pool, it will be mixed in a conversation. Before the conversation is reanimated in person, it’ll happen over the phone. Before the call terminates, we will have substituted the words for one another. We will have strung these words into our palms, like strands into a head. This will occur in the relative absence of one another, but for the time being, we will have our telegraphy.
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darkZone
New Jersey, USA
dream knowledge, no, ledge, noh, no knowledge
...
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mcg21xoxo
Publication - NORTH HEAD v2
A collection of words and images on nice dreams infected by intractable disease-ridden-dream-dreams aka forgotten spirits of a lost memory.
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Text by Rohan Mills
Illustrations by Minsu Kim